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Introduction: The Caribbean in Performance
Hyacinth M. Simpson, Editor
Play excerpts
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From Entre deux cris
Evelyne Trouillot
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From Repique por Mafifa
Fátima Patterson
From Toronto to Kingston: Performing Letters From the Dead in the Community
Hyacinth M. Simpson
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From No More Stories
Sharda Ganga
Essay
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Writing in Chaos
Sharda Ganga
Interviews
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“Having a whole lot of show going on”: Diasporic Caribbean Theatre in Toronto—A Conversation with ahdri zhina mandiels, Alison Sealy-Smith, and Rhoma Spencer
Ric Knowles
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Writing and Staging the Caribbean: A Conversation with Gerty Dambury
Stéphanie Bérard
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“How I Going to Begin to Tell This Story?”: An Interview with Paloma Mohamed
Andrea E. Shaw
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Nelda Castillo Entrevistada por
Keith Ellis
Articles
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“I don’t do silence, innit”: the unsaid and the unsayable in the plays of debbie tucker green
Nicola Abram
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Sistren Theatre Collective: Thirty-four years of theatre and outreach work in Jamaica
Karina Smith
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Hablando-ish en el Ni’É: Lengua, poética y espacios de identidad en la obra de Josefina Báez
Sophie Mariñez
Performance Reviews
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Un petit déjeuner de François Raffenaud, une adaptation caribéenne de Before Breakfast d’Eugene O’Neill
Stéphanie Bérard
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Repique por Mafifa o la apoteosis de la conga
Vivian Martínez Tabares
Book Review
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Emancipation Moments: A reflective appreciation
Kendel Hippolyte
Notes on Contributors