Volume 6 - 2004

Antonia McDonald
Coming Home to Mama's Garden: Creative Fellowship in Jane and Louisa will Soon Come Home
Marie-Hélène Laforest
Ages of a Woman. Jamaica kincaid's My Brother
Karen McPherson
Maryse Condé's Desirada: The Myth of an Origin
Evelyn Hawthorne
Sites/Sights of Difference: Danticat's "New York Day Women," Haitian Immigrant Subjectivity, and Postmodernist Strategies
Sandra C. Duvivier
(Re)Writing Haiti and its "brave women" into Existence: Edwidge Danticat and the Concept of Métissage
Jennifer Margaret Wilks
La mulâtresse nègrew: Exoticism and the Gaze in Suzanne Lacascade's Claire solange âme africaine
Derrilyn E. Morrison
Reading the Zombi in Jean Rhys' Wide Sargasso Sea
Carolyn Duffey
Ezili the Subversive: The Erotics of Maryse Condé's Célanire cou-coupé
Kathleen Gyssels
La "malemort" dans Ton beau capitaine de Simone Schwar-Bart
André Claverie
Visages de la femme salvatrice dans Tropique Blues d'Annick Justin Joseph
Robert H. McCormick Jr.
Maryse Condé's Célanire cou-coupé: Célanire ou Célanire?
Hanétha Dupé-Vété-Congolo
Les relations "intra-raciales" dans l‘œuvre de Maryse Condé: du mythe à la réalité
Patricia Donatien-Yssa
Spiritualité, rituals et croyances dans l‘œuvre de Jamaica Kincaid

Linda Maria Rodriguez Gugliemoni
Zapatero Tale
Beverly Nieves
The House on the Beach
Hanétha Dupé-Vété-Congolo
The Campus Underneath
Suzanne Dracius
Ogoun ferraille et le crime de l'ananas
Annick Justin Joseph
Le petit monde d'Adam et de Louisia
Ylonka Nacidit-Perdomo
Ficciones
Velma Pollard
Thinking re-thinking Baths, Virgin Gordda
Eulalia Bernard
Martinique
My Kinky Hair
Nicole Cage-Florentiny
Croire
Just a Blues
The Country of Here Now
Opal Palmer Adisa
What Says the Moment?
Aunty Nansi
Realization
Hanétha Dupé-Vété-Congolo
My Country is not an Island
Je l'ai vu
Pleurements
Dominique Aurélia
Bleu amer

Table of Contents