Volume 2 - 1999

Brenda F. Berrian
Zouk Diva: Interview with Jocelyne Béroard
Renée H. Shea
"The Hunger to Tell": Edwidge Danticat and the farming of bones
Christine W. Sizemore
"When Everything Else is Done and Dusted": An Interview with Barbara Burford, Scientist and Writer

Opal Palmer Adisa
What's Important?
What Does It Mean?
Oath Taking
What the Poem Says
Barbara Burford
The Pinstripe Summer
Danielle Legros Georges
Abako
Praisesong for Port-au-Prince
Joanne Allong Haynes
Sleep Tobago
Claire Ince
jesus or the wind (July 4th)
Pamela C. Mordecai
My Sister Goes Off
Blessed Assurance
Gloria

Miki Flockermann
Breakdown or Breakthrough?: The Madness of Resistance in Wide Sargasso Sea and A Question of Power
Dominique Licops
Origi/nation and Narration: Identity and Épanouissement In Gisèle Pineau's Exil selon Julia
Antonia MacDonald-Smythe
Authorizing the Slut in Jamaica's Kincaid's
At the Botton of the River

Martiza Paul
Pluie et vent sur Téumée Miracle and Moi, Tituba socriére… Noire de Salem: Two Francophone Antillean Women's Praisesongs for the Obeah Woman
Cherene Sherrard
The "Colonizing?" Mother Figure in Paule Marshall's Brown Girl, Brownstones and Jamaica Kincaid's The Autobiography of My Mother
Linda Spears-Bunton
Ties That Bind Us: Literature, Response and the African Diaspora
Marcia Wharton-Zaretsky
Fleurette Osbourne: A Black Woman Activist

Kathleen Balutansky
Danticat's Narrator Names the Nameless in the farming of bones
Catherine Den Tandt
Mayra Santos Febres. El cuperpo correcto
Pascale De Souza
From "Noir et Blanc": L'Exil selon Julia by Gisèle Pineau
Evelyn O'Callaghan
Surviving in No-Man's Land: The Pagoda by Patricia Powell
María Cristina Rodríguez
Rosario Ferré. The House on the Lagoon
Tanya Saunders
Cristina Garcia. The Agüero Sisters
Jan Shinebource
Pauline Melville. The Ventriloquist's Tale

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